Wednesday, November 20, 2013
Tuesday, November 19, 2013
radice
Radice designed by Sam Hecht for Mattiazzi.
The structure is simple, without any metal fittings or screws.
from http://www.mattiazzi.eu
The structure is simple, without any metal fittings or screws.
Monday, November 18, 2013
the Standard
The Standard Copenhagen is located in former iconic historical building in the center of the city, it holds three wold class restaurants and a jazz club. Designed by GamFratesi.
from http://www.yellowtrace.com.au
from http://www.yellowtrace.com.au
Saturday, November 16, 2013
Friday, November 15, 2013
Thursday, November 14, 2013
the balance of opposites, the visionary, the romantic
Beautiful work by Brooklyn based artist/designer Scott Albrecht.
Three painted wooden hands named the balance of opposites, the visionary and the romantic.
I love them and I want them.
Three painted wooden hands named the balance of opposites, the visionary and the romantic.
I love them and I want them.
Wednesday, November 13, 2013
drawing glass
Drawing glass by Fabrica- collection of glass objects, created without any digital tools, from sketching -directly to the glass blowers, without any specifications or technical details. Back to basics, just sketching and the end product.
Each piece is a functional element, serving as stands or containers.
I think they are great, and the idea to create an object with the basic sketch, without any digital tools, not even a technical drawing is quite daring in our world.
from http://www.dezeen.com
Each piece is a functional element, serving as stands or containers.
I think they are great, and the idea to create an object with the basic sketch, without any digital tools, not even a technical drawing is quite daring in our world.
Sunday, November 10, 2013
Abat-Jour
Abat-Jour lamp designed by me for New Light, displayed and sold at 12th km. Agmashenebeli Alley, Tbilisi, Georgia.
The inspiration came from the fabric lamp shades of 1920's and 1930's. The fabric is transformed into wood, changing the aesthetic feel of the lamp from light and airy to heavy and hard. Although the materials differ, the shape is still reminiscent of the past.
The inspiration came from the fabric lamp shades of 1920's and 1930's. The fabric is transformed into wood, changing the aesthetic feel of the lamp from light and airy to heavy and hard. Although the materials differ, the shape is still reminiscent of the past.
You can view other products designed my me at my website or visit my facebook page
Friday, November 8, 2013
Thursday, November 7, 2013
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